KCBW6, Day 2: It’s All About You

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Today’s prompt is to share something about me that isn’t related to yarn and fiber.  I first wrote the essay below more than 15 years ago.  I didn’t write it as part of an assignment or for publication.  It just came to my head and I wrote it down.  I lost the document for a while, but 10 years ago, I stumbled across it and updated it with my experiences with libraries here in Florida.  I’ve edited it again for publication here.


My parents always thought reading was important.  They started reading books to us when we were infants.  Throughout my childhood, we had a bedtime ritual of a parent reading a chapter aloud to us.  Sometimes, when my father was working late, he would come rushing in the door, hoping he hadn’t missed this opportunity for us to all gather together as a family with a book.  I suppose most of the books were library books, because we couldn’t afford to buy many books.

Some of my earliest memories are about the library.  We lived in a townhouse for about 18 months, moving in when I was 2 and out a couple months after I turned four.  The town we lived in had a Bookmobile — an RV whose interior had been turned into a library.  Floor to ceiling bookshelves lined the walls and it visited our townhouse community weekly.  I have a very clear memory of the inside of that Bookmobile.  One day, I somehow snuck in there by myself.  The driver / librarian didn’t know I was in there, and my mother didn’t know where I’d gone.  I remember hearing her outside, calling my name repeatedly.  I was tucked way into the back, lying on the floor, basking in the presence of the books.  I felt completely relaxed and at home, and I didn’t want to leave.  Eventually my mother and the driver found me.  I remember the stunned look of the driver.  He truly had no idea I was there, and was about to drive off to his next stop.  I have no recollection of my mother’s reaction.

In the brick and mortar library in that same town, the rule was that to get a library card, you had to be able to write your name on the card.  I clearly remember the day I got my first library card.  I was so small (pre-kindergarten), that I had to stand on tiptoes and stretch up to reach the desk, even though it was a regular height desk, shorter than a dining room table.  I remember the librarians, although their names have faded from my memory.  I remember the children’s room clearly.  An abundance of natural light streamed in through the high windows; colorful milk crates served as bookshelves; librarians performed puppet shows during children’s programs.  Behind the curtain of the puppet stage, there were toys freely available for any child to play with during their library visit.  I remember the exact location of the shelves holding my favorite books (the Little Miss and Mr. books).  This week, my trip includes staying for a couple of days in that same town.  I plan to pay a visit to the library and see how much it has changed in the 30 years since I last lived there.

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This picture of the Russell Library in Middletown, CT is taken from the library’s website. The exterior is exactly as I remember it!

When I was about 9 years old, we went on a camping vacation with family friends to upstate New York.  One drizzly afternoon, we wandered into the public library and curled up with books for a while.  The library was a small, brownstone building and was rather dark inside.  I bought a book from their sale table that day, which is still on my shelves.  I always forget which book it is, until I open it and the smell of the pages instantly transports me to that day.

When we moved to the Boston area from Connecticut, I was in 6th grade.  My mother started working full-time, as our expenses tripled with the move.  But we were walking distance to the school.  The library was only about a mile away, with good sidewalks the entire way, so we could walk there as well, although we could not walk home with our full bags of books!  In that library, I discovered the 800 section of the Dewey Decimal system, home of the Classics.  I decided to read my way through them and on my own initiative read Romeo and Juliet and The Sun Also Rises, which I did not even begin to understand and which I never finished.

The Stoneham Public Library, where I planned to read all the 800s.  Photo from Stoneham.gov.
The Stoneham Public Library, where I planned to read all the 800s. Photo from Stoneham.gov.

The next year, we moved about 25 miles north, out of an apartment and into a house.  The library at the new place was downtown, and not really in a nice place, although the library itself was large and modern.  Due to its location, we never used that library.  Instead, we traveled one town over.  This library building was an old brick building with columns by the front door.  It was older and smaller than the library in our town, but prettier and safer.  A few years later, the town totally renovated and expanded the building.  Since the original building was in the middle of downtown and on a steep hill, there was not much room for expansion so the extension was built into the hill behind the original structure.  When coming in from the parking lot, you faced a 4 story staircase.  The elevators were hidden behind the staircase.  The desk for returning and checking out books was at the peak of the staircase.

My sister and I never wanted to take the elevator, but we always had a lot of books.  During the summer, we went to the library once a week.  Usually we checked out about 20 books each (and we actually did finish nearly every book we checked out individually and sometimes read books the other had chosen as well).  We had this big ski bag that we would stuff full of books.  It would be so heavy we could not carry it, unless we each took a handle and carried it together.  We would travel up and down the staircase with the bag swinging between us and we each usually had another bag on our side.  This created a traffic jam for anyone else attempting to traverse the staircase.

Of course, the librarians knew us.  We were there every week and checking out a LOT of books.  Once, a new librarian told us we could not check out so many books at one time, but one of the other librarians came to our rescue and told her it was okay, we did this all the time and were rarely delinquent returning books and yes, we really did read them all.

This library had a reference desk you could call and ask any question.  Perhaps all libraries offer this service, but I have never used it anywhere else.  I still remember the answer to the question I asked them – how many cups are there in a 5 pound bag of sugar and a 5 pound bag of flour?

In this view of the Memorial Hall Library in Andover, MA, you can almost get a sense for  how steep the hill behind it is, if you look carefully at the righthand side of the building.
In this view of the Memorial Hall Library in Andover, MA, you can almost get a sense for how steep the hill behind it is, if you look carefully at the righthand side of the building. Photo credit: By User:Magicpiano (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 4.0-3.0-2.5-2.0-1.0 (http://creativecommons.org/licenses/by-sa/4.0-3.0-2.5-2.0-1.0)], via Wikimedia Commons

When I moved out of my parents’ home as an adult, I did not have a car, but fortunately had very good public transportation access to the library.  At first, I went to the library in my town, but as I worked in downtown Boston, I often went to the Boston Public Library.  If I was quick, I had enough time on my one hour lunch break to hop on the T, run over to the library, return some books and get a few more, hop back on the T to make it back to work on time.  On other occasions, when I wanted a more leisurely experience, I would go after work.  I frequently went to the Boston Public Library in the evening to hear authors read from their work.

The Central Branch of the Boston Public Library is comprised of two buildings.  The modern building on the right here is the Johnson building.  It is the main entrance to the library; the Boston Marathon ends just outside its doors.  The historic McKim building is in the background of this photo.  The library conducts tours of the art and architecture in the McKim.  Photo Courtesy of Boston Public Library.
The Central Branch of the Boston Public Library is comprised of two buildings. The modern building on the right here is the Johnson building. It is the main entrance to the library; the Boston Marathon ends just outside its doors. The historic McKim building is on the left. The library conducts tours of the art and architecture in the McKim. Photo Courtesy of Boston Public Library.

During this time, I was also a student at Harvard University and had access to their world-class library system.  Harvard has more than 90 libraries in their system, but I only used 6 of them.  Accessing the Harvard libraries is a religious experience for a book and library lover.  The main library, the Widener, looks to me like a Greek or Roman Temple, with its many shallow stairs leading up to the entrance and all the pillars at the front of the building.  Inside, it is decidedly more mundane.  The linoleum floor tiles in many parts of the library are cracked or missing.  Since it is so large, and many parts are not necessarily needed by patrons at this precise moment, large sections of the library are dark and you flip the light switches on yourself as you enter the area.

The steps of Widener Library at Harvard University. Rose Lincoln/Harvard Staff Photographer.  Photo courtesy of Harvard Public Affairs & Communications.
The steps of Widener Library at Harvard University. Rose Lincoln/Harvard Staff Photographer. Photo courtesy of Harvard Public Affairs & Communications.

From the Widener Library, you can walk through underground tunnels into two of the other near-by libraries.  The first library you reach through the tunnel is a library which is entirely underground.  To get to it, you walk through a utility tunnel with all these exposed pipes running along the wall.  The first time I walked this tunnel, I thought I would get lost or be locked out on the other end or perhaps I was somewhere I was not supposed to be.  But I arrived at the attached library without incident.

The Widener Library has shelves which are pushed up right against each other.  In order to use an aisle, you pushed a button and all the shelves moved on tracks to create an aisle where you needed one.  You then had to press a button to lock the opening.  I was always paranoid that I would forget to lock the opening and another student would open an aisle far down the line, not knowing I was there, and my aisle would close on me.  I always checked several times to be sure I had locked my row open and scanned the aisle for empty sections of shelves down low, so I could squeeze myself in somewhere in case the aisle closed on me.

I loved the libraries for the Divinity School and the Medical School.  In my mind, it seems to always be fall as I approach the Divinity School Library, although I used it for an entire year.  The orange and yellow leaves litter the path as I walk up to the door.  The Countway Medical Library is not on the main Harvard Campus in Cambridge, but a couple of miles away, across the Charles River in the Hospital District of Boston.  This library is walking distance to Fenway Park, the Isabella Stewart Gardner Museum, and the Museum of Fine Arts.  All of the Harvard Libraries require that you show a Student ID and they search your bags as you enter and leave the buildings.  But the Countway Library did not seem as cursory in their security inspection.  I had to actually leave an ID with them to pick up on my way out of the library, and I had to tell them how long I planned to be there and what resources I was planning to access and what class I was taking before I was allowed into the stacks. (NOTE: I was a student at Harvard in the late 1990s, before the September 11 bombings of the World Trade Center Buildings.  I’m sure security procedures have changed in the intervening years).

After graduating, I again started to use the public library in my town.  There were two branches.  The main branch was nearly a mile away, but the other was right around the corner.  Every day, as I got off the bus on my way home from work, I faced the library.  This branch was not open in the evening, so I would go on Saturday afternoon.  It was an old building, not air-conditioned and everything was still done by hand.  It still had an actual card catalog, not computers, and in the back of each book was a card that the librarian marked the card number of the patron and the date the book was checked out.  A separate card was kept at the desk with each patron’s name and a list of the books currently checked out to their card.  Sometimes, I would select a book from the shelf for the sole purpose of seeing how often it had been checked out by someone.  I always entered this library by the back door, as it was the first door I came to when walking there.  This door was kept locked, and I would have to knock on the door to gain admittance.

The Shute library in Everett, MA has been closed for four years for extensive renovations.  This tiny image is the only one I could find on the library's website depicting the pre-renovation appearance of the library.  The refurbished library was scheduled to reopen this past weekend.  The library's construction blog includes many wonderful pictures of the renovation process: http://shutelibrary.org
The Shute library in Everett, MA has been closed for four years for extensive renovations. This tiny image is the only one I could find on the library’s website depicting the pre-renovation appearance of the library. The refurbished library was scheduled to reopen this past weekend, and its new appearance is a dramatic change from the small, anachronistic place I remember. The library’s construction blog includes many wonderful pictures of the renovation process: http://shutelibrary.org

My husband and I moved to the Orlando, Florida area in 2002.  We drove from Massachusetts, with a CRV full of clothes, fragile items, and two cats.  After 27 hours of straight driving, we arrived late on a Saturday afternoon, got our key for the new apartment and collapsed on the floor to sleep.  On Sunday afternoon, I got my library card.  Our furniture did not arrive until Thursday, but at least I had access to books!

The library I use now is small, but it is part of a decent county-wide system.  These days, I spend little time perusing the aisles.  Instead, I go to the library’s website, use the online database to see if they have the books I want, and place a hold.  The librarians pull the books, send the book to my local branch and e-mail me when they are ready for me to pick up.  If the county library system does not have the book, I can also fill out an online form to request the book through interlibrary loan.  When the book arrives from interlibrary loan, I get an e-mail.  I never used interlibrary loan much before I could make the request so easily, but now I do rather often.  I have received one book from a library in New Mexico!  (I wrote this paragraph 10 years ago, 3 years after moving to Florida.  The County has since discontinued the interlibrary loan program because of the cost of running it.)  These days, the library is more of an errand than a place to lounge.  All I have to do is stop at the desk, drop off the returns and hand over my library card to procure the waiting volumes.  Our house is only a mile from the library, so it is easy to stop there on my way home from errands.

My current library, the West Branch of Seminole County, Florida.
My current library, the West Branch of Seminole County, Florida. Photo from seminolecountyfl.gov

Every library I have used has enriched my life.  No matter what my circumstances have been, the library was always there with its resources freely available for my use and pleasure.  Libraries still imbue me with a sense of awe; all the knowledge of the world, printed on pieces of paper, and available for free.  This is impossibly generous and I am so grateful to have access to such amazing riches.

KCBW6, Day 1: If You Were Yarn

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Today’s prompt is to write about what yarn you would be if you were yarn.  I was mentally writing a detailed blog post about this, with the premise that I am yarn in all its glorious diversity , when I received the following e-mail, forwarded from the Weavers of Orlando Guild to all members (names edited out for privacy):

Hi,  I am R,  S’s husband.

Before she died, S told me to get in contact with WoO and offer up her
substantial yarn stash to the WoO members.   Since this is mostly knitting
yarn I contacted one of S’s friend and knitter ( Also a WoO member).

There is a lot of high quality yarn, plus many knitting projects in various
stages of completion.    Each in its own container with pattern and check
off sheet showing the progress of the project.  Also many knitting books.  I
have everything organized and available to be looked at transported.

I would like to get this valuable material the right person(s), and am
asking for advice and help from you.   S, although not a weaver, did so
enjoy your organization, and wanted to share her yarn with the group.

Many Thanks,

R

I did not personally know S; I only joined the Weavers guild last fall, and there’s many members I have yet to meet.  Nevertheless, this e-mail hit me right in the heart.  When you make something with your hands, you use not just materials and tools but also the most precious resources any of us have — our time and energy.  Inevitably, something of ourselves is left in our work.  A stash is personal because it reflects our plans and dreams and wishes and hopes and possibilities, an investment of our future time and energy.  S’s yarns and books and half-finished projects aren’t just objects; they are a part of and reflection of her.

Nancy and me sorting through S's yarn and projects.
Nancy and me sorting through S’s yarn and projects.

S was a talented and organized knitter.  Her projects were mostly sweaters: pieced together, knit in the round, colorwork, cardigans.  She wasn’t stuck in any kind of color rut.  Her projects spanned every hue of the rainbow.  Most of her yarns were high-end, but she wasn’t afraid of novelty yarns.  She had a wonderful sense for combining colors and textures into her work.  Like many of us, she didn’t like finishing work.

I came home with 10 WIPs; Nancy took home many more than that.  Since I’ve never made a sweater before, I came home with the projects that only needed blocking or minimal seaming.  Nancy took home projects that still need collars and cuffs or that were knitted in pieces.  In addition to the WIPs, we left with a medium-sized packing box of kits.  These were projects that had pattern, needles, and yarn packaged together but S had not yet started knitting.  We had another, slightly smaller box, of WIPs that need substantial knitting.  We also left with three large boxes of yarn and a milk crate of books and magazines.

One of the WIPs I brought home is a particularly special project.  It is a shawl which E, S’s best friend, was knitting for S & R’s daughter.  E passed away two years ago, and the half-finished project came to S.  S finished the knitting, but hadn’t blocked it yet.  I will block it and return it to R so he can give it to his daughter.

Over the next several months, Nancy and I (and anyone else we can press into service) will be finishing the rest of the WIPs.  In January, we will bring them to Distaff Day and donate them to Project Warmies, a local charity that distributes warm items to several local shelters.  R gave us bookmarks, leftover from the funeral service, with a picture of S and a short obituary.  Project Warmies likes to have a little information about each donated item they receive, so we will include those bookmarks with each project.

The Guild will use the less expensive, big box yarns to make Kumihimo disks or other giveaway demos.  The Guild does many demos throughout the year, often at schools.  We estimate that we will go through 1,000 homemade Kumihimo disks this year!  The kits, WIPs that need substantial knitting,  remaining yarn, and books will all go into the Weavers of Orlando auction held in August.

R seemed happy with the plans for the yarn and projects.  S wanted everything to benefit the Weavers of Orlando or to go to a good home, where the items would be appreciated. We will do our best to honor those wishes.

As I read the e-mail then sorted through S’s yarn, I realized this: there is no “if.”  We are all yarn.  Every time we buy a skein for our stash, or spend time knitting, crocheting, spinning, weaving, dyeing or otherwise crafting with fiber, we incorporate the yarn into ourselves.  We eschew other possibilities and become a yarn crafter, a yarny, a fiberista, a maker.  Time drips through our fingers in the form of stitches, warp and weft, roving smoothed into yarns.  As often as we talk about SABLE (Stash Acquired Beyond Life Expectancy), we know, somewhere deep down, that someday when we are gone (hopefully many years from now) our loved ones will be crafting an e-mail like the one above.  Someone who never knew us will be looking through our stash and our half-finished projects.  What will she learn about us?

6th Annual Knitting & Crochet Blog Week

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Monday, May 11 is the start of the 6th Annual Knitting & Crochet Blog Week.  This event is the brainchild of Eskimimi (blog, Ravelry).  I learned about it through a blogging group on Ravelry and thought it sounded like fun, so I’m going to participate!  I’ve never done anything like this before and I’ve been having fun thinking about what to write.  It was also helpful for me because I am out of town May 8-15, attending my cousin’s college graduation and visiting family in New England.  Having topics a month in advance meant that I could write everything before my trip and schedule the posts to publish on the right days!

Here’s the topics for the week:

  • Monday, May 11: If You Were Yarn
  • Tuesday, May 12: It’s All About You
  • Wednesday, May 13: Experimental Photography
  • Thursday, May 14: Bags of Fun
  • Friday, May 15: Something a Bit Different
  • Saturday, May 16: Polls Apart
  • Sunday, May 17: Your Time, Your Place

I probably won’t post my regular WIP Wednesday post, since I’ll be on the road.  I hope you enjoy the week!

WIP Wednesday: May 6, 2015

It’s been another busy week of crafting!  Spending the entire weekend doing demos helped in that regard.  I worked slower than usual, since I was chatting with Festival attendees and regularly leaving my work aside to show an interested person how to weave on the floor loom, but I was there for so many hours that I got a lot done despite the frequent interruptions.

Super Secret Shawl

I only got 1/2 of a repeat done this week.  I will be bringing this project with me as travel knitting next week, and expect to get a great deal more finished.

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Cormo Spinning

I spent most of Saturday spinning.  Three hours at my weekly spinning group followed by 5 hours spinning at the Festival of the Arts was enough time to spin at least half of the bobbin that is on my wheel (2.5 to 3 ounces).

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Woven Doctor Who Scarf

On Saturday night, I tied this scarf on to my rigid heddle loom.  This evening I finished weaving it and it is currently soaking for wet finishing.

St. Johns River Festival of the Arts

This past weekend was the St. Johns River Festival of the Arts, held annually in Sanford, Florida on the first weekend of May.  The Festival was held Saturday from 10-6 and Sunday from 10-5.  More than 125 artists had booths and expected attendance was 30,000 – 40,000.  The Weavers of Orlando guild had a booth and we set up to do spinning and weaving demonstrations.  I was in the booth helping with the demos on Saturday from 12-6 and the entire day on Sunday.  The weather was spectacular.  Mid-70s to low-80s, with a breeze blowing off the lake and little humidity is perfect weather for an outdoor art fair.  It was a wonderful weekend!

The Weavers of Orlando Booth

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The view looking out from our booth. The sky looked liked this the entire weekend.

We actually had two booth spaces — 52 and 53 — and they were right in the middle of a street.

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We had a stand displaying woven items made by guild members.

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We taught Kumihimo braiding to kids.  We had 160 Kumihimo disks made by guild members for demo purposes; we gave out the last ones about 3:00 pm on Sunday (the guild goes through more than 1,000 Kumihimo disks in a year).

WoO members Nancy (foreground) and Bev teaching Kumihimo braiding to Festival attendees on Saturday.
WoO members Nancy (foreground) and Bev teaching Kumihimo braiding to Festival attendees on Saturday.

We brought the 4-shaft Dorset floor loom and any attendee who wanted to try it out got a chance.  We had a 3 yard warp on the loom, and by about 4:00 pm on Sunday, the entire length was finished!  One attendee, a 12-year-old girl, will be sewing bags from the finished fabric.

WoO member Marilyn encouraging a first-time weaver.
WoO member Marilyn encouraging a first-time weaver.

We also had a couple of table looms and members wove on those throughout the day.  On Saturday we had three or four people spinning.  I was one of the spinners on Saturday, and I got almost 2 ounces of Cormo spun.  On Saturday evening, when I got home, I warped my rigid heddle loom so that I could bring it with me on Sunday.  I brought my wheel on Sunday also, but I spent most of my time weaving on the rigid heddle.  I got about 60″ of weaving done!

Around the Fair

On Sunday, I took an hour or so to stroll around the fair.  Many Festival goers brought their dogs with them.  I didn’t get any dog pictures, but I get a picture of this unusual pet:

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The parrot’s owner told us that he is a rescue bird.  His wings are clipped so he can’t fly.  He likes to sit on the handlebar of her bike and spread his wings out while she rides, maybe to get the sensation of flying.

I also saw another unusual pet walking around: a bunny rabbit in a harness and on a leash, but I didn’t get a picture of it!

On Saturday, this stilt walker was part of the festival entertainment, strolling along the street and interacting with crowds.  The head is a puppet controlled by the walker, and she did a wonderful job of making that head interact in a way that made it seem alive.  More than one child gave the bird a drink from a bottle of water!  When it was time to distribute ribbons to artists, the stilt walker was along for the ceremony.  I didn’t get close enough to see for sure, but I think the puppet head was taking ribbons out of a basket and handing them to the artists!  We found out from a Festival organizer that this stilt walker is a Disney employee and the Festival contracted with Disney to have her at the Festival.

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Artists

I bought pieces from four artists.

Nicola Barsaleau

Nicola Barsaleau is a Gainesville, Florida-based printmaker.  She creates her work using a methodology which has been used for centuries.  She starts by drawing onto printmaking linoleum with graphite.  By using graphite, she can erase and change until she is satisfied with the image.  Once the drawing is complete, she uses a curved tool to carve out sections of the image to make the block.  She then applies an oil-based ink to the block and presses it onto paper to make prints.  I bought two pieces from her:

Six in the Morning

Six in the Morning (photo from artist’s blog) (see her blog post about the piece)

Untitled work (photo from artist’s blog) (see her blog post about this piece)

beecircle

Six in the Morning is a limited edition print and a Father’s Day / Birthday gift for my birdwatching father.  The untitled work is for me.  I loved the image of the bee and the reminder of how necessary bees are for pollination.  I also love the round mandala-like shape, which will blend with another piece I have from a different local artist: a mandala created by manipulating a photo of an endangered gopher tortoise. The untitled work is not a limited edition; Nicola told me she loves this particular piece so much that she wants to be able to print as many as possible.

What the FORK?

The next piece I bought is a pendant from Oswego, New York-based What the FORK  (website, Facebook).  All of their pieces are made from old silverware, which is welded and hand-manipulated into new shapes.  I bought an octopus pendant because I have a wee bit of an obsession with octopi.  This piece is not pictured on their website, so here’s a picture I took myself:

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Kirk Dodd Photography

Kirk Dodd is a Merritt Island, Florida-based photographer.  Most of his work is High Dynamic Range photography, a technique in which multiple images are taken with different settings, then layered to create a final image.  The piece I bought is not on his website, and it seems strange to take a picture of a picture, so you don’t get to see it.  Sorry!  It’s a stunning image, taking at a Florida beach of heart-shaped lightning over the ocean.  The image is take at an angle at the point where water is breaking on the beach, so the beach is on the right / lower edge and the ocean is to the left / upper edge and the lightning is in the middle.  It’s beautiful.

Touch of Key West Photography

Mark Weeter is a Florida Keys-based photographer who specializes in underwater photography.  Smaller pieces (up to about 16″x20″) are printed on aluminum.  I really love this technique because it seems to bring a luster to photos that you don’t get any other way.  Larger pieces are standard photographic prints.  He and his wife frame the pictures themselves, using wood reclaimed from old lobster pots.  The frames are pretty cool, some with barnacles still attached.  He had a larger black and white photo of a sponge that I just loved, but after my other shopping it was more than I could spend.  I settled on a smaller piece, an 8″x8″ image of a jelly fish, shot from below.  This image isn’t on his website.

In Conclusion

I had a wonderful time at the St. Johns River Festival of the Arts.  Since it is always on the first weekend of May, that means it is always the same weekend as Maryland Sheep and Wool.  I’m not sure how often I’ll go to MDSW in the future; any time I’m not going to MDSW, I’ll definitely plan to be at the St. Johns River Festival of the Arts!

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